Edouard Vuillard.org, welcome & enjoy!
 |
|
Edward Matthew Ward
Dr. Johnson in the ante-room of Lord Chesterfield in Chesterfield House, Westminster.
|
ID: 94611
|
|
|

|
Edward Matthew Ward
British Painter.
1816-1879
His parents encouraged his early interest in art. He was sent to a number of art schools, including that of John Cawse (1779-1862), before gaining entry to the Royal Academy Schools in 1835. He first exhibited at the Royal Academy in 1834 with Adelphi Smith as Don Quixote (untraced). In 1836 he went abroad for further study, visiting Paris and Venice on the way to Rome, where he spent three years. His first work of any consequence was Cimabue and Giotto (untraced), which he sent back to the Royal Academy show of 1839. On the way back to England at the end of that year Ward visited Munich to learn the technique of modern fresco painting in order to take part in the competition to decorate the Palace of Westminster, but his cartoon, Boadicea (1843; untraced), was unsuccessful. However, in 1852 he was commissioned to produce eight pictures for the Palace of Westminster, on subjects drawn from the English Civil War, the best of which is the Last Sleep of Argyll (1860s) in the Commons Corridor of the Houses of Parliament
Related Paintings of Edward Matthew Ward :. | Sir Thomas More's Farewell to his Daughter | Leicester and Amy Robsart at Cumnor Hall | Queen Victoria at the Tomb of Napoleon (mk25) | Dr. Johnson in the ante-room of Lord Chesterfield in Chesterfield House, Westminster. | The Investiture of Napoleon III with the Order of the Garter 18 April 1855 (mk25) | Related Artists: Ostade, Adriaen vanDutch Baroque Era Painter, 1610-1685
Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage). Henry F Darby1820-1897 Carl Christian Klasspainted Apollo and Daphne in
|
|
|
|
|
|
|
|

All the Edouard Vuillard's Oil Paintings
Supported by oil paintings and picture frames

Copyright Reserved
|